|
Art/Curatorial Practice
0-920159-92-3
November 2002
$24.95 CDN / $15.95 US
6 x 9 - 144 pages - 60 b&w photos - paper |
The Edge of
Everything:
Reflections on Curatorial
Practice
Edited By: Catherine Thomas
Link to the
Banff International Curatorial Institute
Order
this book from The Banff Centre
Contributors
to this book
"Revealing, often funny, and, above all,
sincere, this collection explores the critical and personal motives
of a varied group of senior and emerging Canadian and international
curators."
- Christina Ritchie, Director/Curator, Contemporary Art Gallery,
Vancouver, B.C.
Few public venues exist for the
contemplation of curatorial research and development in Canada, and
there are even fewer forums for reflection by Canadian curators
within an international context. The Edge of Everything is the
result of a book project designed by Catherine Thomas to provide
such a space for curators. It is a surprising collection of
political, personal, quirky, and humorous commentary by Canadian and
international curators on their individual practices. The collection
is (as Canadian curator Ihor Holubizky writes) a “chain of
incidents, heliocentric worlds at the edge of everything.”
From the pathos of Anthony Kiendl’s approach
to curatorial work, to the Punk origins of Matthew Higgs’s work, and
the contemplation of aboriginal curatorial practice in Canadian
institutions, independent curator and art historian, Catherine
Thomas has collected a fantastic sampling of thoughts on curatorial
work. The curator surfaces from this book as a figure who dwells
both in the institutions of the art world, and also in its fissures,
its edges and gaps - as Matthew Higgs writes, “between the audience
and the stage, between the spectacle and its reception.”
Contents:
- Foreword, Melanie Townsend
- Introduction, Catherine Thomas
- On Weakness, or, “You will become a
friend of mud,” Anthony Kiendl
- Between the Audience and the Stage,
Matthew Higgs
- Speaking of Billy, Andrew Hunter
- Truth, Fiction (Favorite Game) [Attrib.],
Catherine Thomas Interviews Adriano Pedrosa
- An/Other One: Aboriginal Art, Curators,
and Art Museums, Lee-Ann Martin
- Affording the Ultimate Creative Shopping
Experience: The Boutique of the 1984 Miss General Idea Pavillion,
Lilian Tone
- Faucet, Pip Day
- Confessions, Dorothee Richter
- At the Verge of … Curatorial
Transparency, Joshua Decter
- Trickster: The Myth and Mischief Maker,
Nina Czegledy
- The Man Who Thought His Myopia Was a
Vision: Heliocentric Worlds, with Apologies to Herman Blount, Ihor
Holubizky
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